Jason Aldean Net Worth 2026: The $100M Catalog Payday

Last updated: November 8, 2026  ·  By Nathan Cole

Jason Aldean’s net worth in 2026 is estimated at $100 million. That is the figure CelebrityNetWorth publishes, and the figure Parade repeats in its 2026 profile, updated September 14, 2026. Other 2026 surveys land lower — NetWorthSpot puts him at $80 million in its October 1, 2026 update — so this article anchors on $100 million and treats $80–100 million as the honest range. The number is an estimate, not an audited balance sheet, and the rest of this article shows exactly what it rests on.

The fortune has one clear centre of gravity: the catalog sale. In 2022 Aldean sold 90 percent of his recorded music catalog — nine studio albums, 24 No. 1 singles, six Platinum records — to Spirit Music Group for a reported $100 million or more. That single deal is roughly equal to his entire net worth, which tells you how the math works: a lifetime of royalties, converted into one lump sum, minus taxes and fees. Around it sit the two engines that keep paying every year: touring, where he can command up to $1 million a show, and a restaurant chain that now has four locations.

2026 has been a busy year for the 49-year-old from Macon, Georgia. His 12th studio album, Songs About Us, arrived in April with 20 tracks, his 31st career No. 1 single landed early in the year, and the Full Throttle World Tour took him to New Zealand and Australia for the first time as a headliner. This article gives the number first, then the proof: the catalog deal and the $250 million BMG flip that readers keep misreading as a second payday, the album-by-album money, the touring math, the restaurants, the property, and the family behind it all.

What Is Jason Aldean’s Net Worth in 2026?

Jason Aldean’s net worth in 2026 is estimated at $100 million, inside an $80–100 million range. The two ends of that range come from named, dated sources, not from guesswork: CelebrityNetWorth and Parade sit at $100 million, while NetWorthSpot and Explosion sit at $80 million. The $20 million gap between them is the honest spread of a private fortune — nobody outside Aldean’s own accountants has seen the books, and the sources disagree mainly on how much of the catalog money survived taxes and how much the touring years added on top.

The table below lays out every figure this article weighed, with dates, so a reader can see the reasoning instead of taking one number on trust.

Put the number in context. A $100 million fortune makes Aldean one of the richest working country singers of his generation, but not the richest — Kenny Chesney sits near $180 million and Luke Bryan near $160 million on the same sources, and both of them have television salaries Aldean has never chased. The peer table near the end of this article puts the four side by side. What sets Aldean apart is how much of his fortune arrived in a single transaction: the catalog sale of 2022. Most country stars build wealth slowly, tour by tour. Aldean cashed in two decades of recordings in one deal — and that deal is where any honest account of his money has to start.

One accounting note before the detail. Net worth is not cash in a bank account. It is the value of everything owned — the remaining 10 percent of the catalog, property, business stakes, investments and future royalties — minus debts, and none of it is public. The $100 million anchor is the figure the current named sources converge on, and the $80–100 million range is the honest spread. A reader who sees $160 million on a roundup site is looking at a number no named outlet supports.

The 0 Million Catalog Sale: How Aldean Cashed In

In 2022, Jason Aldean sold 90 percent of his recorded music catalog to Spirit Music Group. The deal covered his first nine studio albums, from the 2005 debut through 2019 — the recordings behind 24 No. 1 singles, 34 Top 10 hits and six albums certified Platinum by the RIAA. The price was reported as more than $100 million: CelebrityNetWorth describes it as “more than $100 million,” and industry coverage put it at over $100 million. No exact figure was ever confirmed by either side, so this article does not invent one. The reported range is $100 million-plus, and that is the number the whole estimate turns on.

The logic of the deal is simple, and it explains why so many artists of Aldean’s generation have done the same thing. A recorded catalog pays its owner a stream of royalties — small amounts, every month, for decades, rising and falling with streaming and radio play. Selling 90 percent of it converts that uncertain stream into a single lump sum, today. The buyer, Spirit, bets that the royalties over the next twenty or thirty years will exceed what it paid. The seller gets certainty, and cash he can invest, spend or pass on. For Aldean, the deal also arrived at the right moment: he was 45, seventeen years into a career at the top of country radio, with a catalog whose biggest earning years were already behind it.

He did not sell everything. The 10 percent he kept still earns him royalties on the same recordings, and he kept his publishing and songwriting income separate from the recorded-music sale. That distinction matters. The deal covered the master recordings — the actual tracks. It did not cover the songs he wrote, and it did not cover future recordings. His 2023 album Highway Desperado and his 2026 album Songs About Us were made after the sale, and their royalties flow to him in full, outside the Spirit deal.

What did he actually take home? Less than the headline, and this article says so plainly because the headline is what most roundups quote. A $100 million-plus sale is taxed as income or capital gains at the top rates, and a deal of this size carries management, legal and advisory fees on top. The exact split is private — neither Aldean nor Spirit has disclosed it — so no honest article can print a take-home figure. What can be said is that the sale is the single largest money event of his career, and that the $100 million net worth anchor is best understood as the catalog money, after the haircut, plus twenty years of touring and business income, plus property, minus spending. The sale did not make him a $100 million man overnight. It converted the value he had already built into cash.

The timing also tells a story about the country catalog market. Aldean sold in 2022, near the peak of the catalog-buying boom, when private equity and music funds were paying top prices for proven songbooks. Artists who waited saw prices soften as interest rates rose. Whether by luck or advice, Aldean sold at the top of the market — and the next section shows what happened to his catalog after he let it go.

The 0 Million BMG Flip: Why That Money Was Not His

In September 2025, Spirit Music Group sold the stake it had bought from Aldean — along with catalogs from 23 other artists — to BMG Rights Management, as part of an acquisition valued at roughly $250 million. Read that sentence again, because it is the most misreported fact in Aldean’s financial story. The $250 million was BMG’s price for the whole bundle. It was paid to Spirit, the seller. Aldean was not a party to the deal, and he received no second payday from it.

Yet a wave of 2026 roundups prints “$250 million” next to Aldean’s name and lets the reader draw the obvious, wrong conclusion: that his catalog was worth $250 million, or that he pocketed $250 million in 2025. Some even lift his net worth toward $150 million on the strength of it. The error is easy to see once the chain is laid out. Spirit bought 90 percent of Aldean’s recordings in 2022 for a reported $100 million-plus. Three years later, Spirit sold a package of many artists’ catalogs — Aldean’s stake among them — to BMG for about $250 million in total. The $250 million covers two dozen artists. Aldean’s share of it is not public, and whatever it was, it went to Spirit, which had owned the rights since 2022.

The flip does tell us one useful thing: Spirit’s bet paid off. A catalog bought for $100 million-plus in 2022 was worth enough by 2025 to help anchor a $250 million bundle sale. That is evidence the recordings held their value — and it is also evidence that Aldean sold at a fair price rather than giving his life’s work away. But it added nothing to his bank account. His windfall was the 2022 deal, full stop. Any article that adds the two numbers together — $100 million in 2022 plus $250 million in 2025 — is double-counting the same songs.

This is the single most valuable correction in this profile, because the confusion is now everywhere. Search “Jason Aldean net worth” in 2026 and the $250 million figure appears in result after result, usually without the explanation that it was BMG’s payment to Spirit for a 24-artist package. The honest version is shorter: Aldean sold his catalog once, in 2022, for more than $100 million. Everything after that was someone else’s money moving around.

Album by Album: Twenty Years of Hits That Built the Catalog

The catalog was worth $100 million because of what is in it. Twelve studio albums, thirty-one No. 1 singles, and a run of dominance on country radio that lasted from 2005 into 2026 without a real break. The table below is the catalog in miniature: every studio album, the year it arrived, and the hit that defined it.

Three albums in that list did the heavy lifting. Wide Open (2009) turned him from a working radio act into a star, with “Big Green Tractor” and “She’s Country” both reaching No. 1. My Kinda Party (2010) was the commercial peak — his best-selling album, winner of the CMA Album of the Year in 2011, and the record that gave him “Dirt Road Anthem,” the rap-inflected country single that crossed over to pop radio and became one of the defining country songs of the decade. Night Train (2012) proved the first two were not a fluke: it debuted at No. 1 on the Billboard 200, the all-genre album chart, and did it again with the next three albums.

The consistency is the point. Five straight albums debuting at No. 1 on the Billboard 200 is a run very few country artists have ever managed. It is also what made the catalog valuable: not one huge record, but a deep bench of hits that radio and streaming keep playing. A buyer paying $100 million-plus for a catalog is buying the depth — the fact that “Dirt Road Anthem,” “Big Green Tractor,” “Burnin’ It Down” and “You Make It Easy” all still earn, year after year, long after their chart runs ended.

The two post-sale albums matter for the future, not the past. Highway Desperado and Songs About Us sit outside the Spirit deal, which means their royalties are Aldean’s in full. At 49, with a 31st No. 1 already banked in 2026, he is still adding to a catalog he now owns outright — a second catalog, built after the first one was sold.

Touring: The Million-Dollar Night

If the catalog sale was the one-time windfall, touring is the salary. Parade’s 2026 profile reports that Aldean has raked in as much as $1 million per show, and calls touring his most lucrative business venture by far. That figure is a gross guarantee — the amount a promoter pays for the night — not what lands in his account. The band, the crew, the staging, the trucks, the fuel and the insurance all come out of it. Even so, a headliner who can command seven figures a night, across dozens of dates a year, is earning touring money on a scale few country acts ever reach.

The published estimates for his 2023 Highway Desperado tour show the scale. Tour-gross trackers put the run at roughly $39.5 million from more than 628,000 tickets, at an average gross near $940,000 to $1 million per show. Those are estimates, not Billboard Boxscore-confirmed figures, and this article labels them as such — but the direction is right, and it matches the $1 million guarantee Parade reports. A tour that grosses close to $40 million in one summer is the engine of the fortune: it is the income that kept arriving while the catalog royalties were being sold off, and it is the income that still arrives now.

The Full Throttle World Tour, running through 2026, extended that engine overseas. Aldean played his first headlining shows in New Zealand and returned to Australia in February 2026, markets where country music’s audience has grown fast and where a first-time headliner can charge a premium. International dates also carry higher costs — freight, visas, local crews — but for an act of his size they add real money on top of the American summer sheds and arenas.

One night on the road still defines his touring story more than any gross figure. On October 1, 2017, Aldean was on stage at the Route 91 Harvest festival in Las Vegas when a gunman opened fire on the crowd from a hotel window above. Fifty-eight people were killed. Aldean ran from the stage with his band and crew, and he has spoken since about the night in only brief, careful terms. He returned to touring, and he returned to Las Vegas — the city where his fourth restaurant opened in December 2024. The festival shooting is part of his public story, and it is recorded here as fact, not as a hook for the money sections that follow it.

“Try That in a Small Town”: The Song That Made Him a Headline

In July 2023, a song Aldean had released two months earlier became the biggest story of his career. “Try That in a Small Town” — a defiant small-town anthem about crime and community — surged to No. 1 on the Billboard Hot 100, his first-ever No. 1 on the all-genre chart after 18 years of country No. 1s. It was a commercial peak he had never reached before, and it arrived wrapped in a controversy that dominated the news cycle for weeks.

The flashpoint was the video. Filmed in front of the Maury County Courthouse in Columbia, Tennessee, it mixed performance footage with news clips of protests and crime. Critics called the imagery racially charged and pointed to the courthouse’s history; CMT pulled the video from rotation. Aldean denied the song had anything to do with race, said the video used real news footage, and refused to back down. The argument played out across cable news and social media for the rest of the summer, and the song kept selling through all of it.

The money effect was direct. A Hot 100 No. 1 brings streaming spikes, download sales, radio play across formats, and a surge in ticket demand — and this one arrived in the middle of the Highway Desperado tour, which was already grossing near $1 million a night. The controversy also hardened his audience. Aldean’s core fans heard an attack on their values and answered it by buying the record; his critics heard something else entirely. Either way, the chart position was real, the sales were real, and the song became the defining commercial moment of his post-catalog-sale career.

It also changed how he is written about. Before 2023, Aldean was a reliable country hitmaker with a big catalog and a bigger tour. After “Try That in a Small Town,” he is a cultural figure — the ACM Artist of the Decade who became a proxy in a national argument. The 2026 album Songs About Us was made in the aftermath of that moment, and its reception shows the audience stayed with him: a 31st No. 1 in early 2026, three years after the controversy, is not the chart record of a damaged career.

“Songs About Us”: The 2026 Album and the 31st No. 1

Aldean’s 12th studio album, Songs About Us, arrived on April 24, 2026, with 20 tracks — his longest album in years. It was released in partnership with Patriot Mobile, the conservative wireless carrier, a pairing that fits the audience he consolidated after “Try That in a Small Town” and that doubles as a business deal in its own right: a brand partnership attached to an album launch, with marketing money behind it.

The record’s chart story came before its release date. In early 2026, Aldean scored his 31st career No. 1 single — a number that puts him among the most successful radio artists in country history. Thirty-one No. 1s across twenty-one years means he has averaged more than one chart-topper a year since his debut, with no long fallow stretch. For context, the catalog he sold in 2022 contained 24 of them; the seven since — including the post-sale hits — belong to a second catalog he still owns outright.

The album also shows how his business model has shifted since the sale. Before 2022, a new album fed a catalog he owned. Now a new album feeds a catalog he owns again, plus a tour, plus a brand partnership, plus the restaurant chain that carries his name. The record itself is the smallest revenue line of the four — streaming pays fractions of a cent per play — but it is the marketing engine for the other three. Every interview about the album is a mention of the tour; every tour date is a night at a venue near one of his restaurants.

Jason Aldean’s Kitchen + Bar: Four Locations and Counting

The most visible part of Aldean’s business outside music is the restaurant chain that carries his name. Jason Aldean’s Kitchen + Bar — developed in partnership with TC Restaurant Group — now has four locations, each one bigger and more polished than the last. The chain sells Southern food, live music and the Aldean brand in equal measure, and every opening has been a family event, with his wife Brittany and the younger children on stage for the ribbon-cutting.

The flagship opened in Nashville in June 2018, at 307 Broadway in the heart of the city’s honky-tonk strip. It is a 27,000-square-foot, four-level venue with six bars, a main restaurant floor, and a large bar built around a 1961 John Deere 4020 tractor — a nod to “Big Green Tractor,” the 2009 hit. It took over the building that had housed Tequila Cowboy, and it became one of the busiest celebrity-branded bars on Broadway within a year.

The second location opened in Gatlinburg, Tennessee, in August 2023, at 644 Parkway — a three-level, 21,000-square-foot venue with a rooftop deck looking out over the Smoky Mountains, a breakfast diner on the ground floor, and the same John Deere tractor bar as its Nashville sibling. The opening brought a reported 125 new jobs to the town, and Aldean performed a surprise set for the crowd. The third followed in March 2024 in Pittsburgh, Pennsylvania, at 393 N Shore Drive — a 10,000-square-foot venue with a live-music stage, a main dining room, two bars and an outdoor patio.

The fourth, and the largest statement so far, opened in Las Vegas on December 5, 2024. At 63 CityCenter, on the Strip at Las Vegas Boulevard and Harmon Avenue, the 22,500-square-foot venue has six bars, two stages for live music, a massive outdoor rooftop terrace, and walls covered in memorabilia from Aldean’s career — including the outfit he wore for the CMT Giants tribute to Alabama and the Desperado shirt from the Highway Desperado cover shoot. Aldean called it the coolest of the four at the opening, and said the team had worked the kinks out of the earlier locations by then.

How much money do the restaurants make him? That is not public, and this article does not guess. Parade’s 2026 profile notes the same thing: the restaurant income is not disclosed. What can be said is structural. A celebrity-branded bar on Nashville’s Broadway, a second in a Smoky Mountains tourist town, a third in Pittsburgh and a fourth on the Las Vegas Strip are four high-traffic, high-margin venues in markets that run year-round. The chain is a real business, not a merch table — and the expansion from one location in 2018 to four by the end of 2024 shows it is growing, not coasting.

Real Estate: The Florida Home and the Tennessee Estate

Property is the quietest part of Aldean’s fortune, and the hardest to pin down — most of the figures are reported or listed prices, not confirmed sale prices, and this article marks them that way. Two holdings are documented in 2026 reporting. The first is a home on Florida’s Treasure Coast, reportedly worth $10.2 million. The second is a 120-acre estate in Columbia, Tennessee — the same town where the “Try That in a Small Town” video was filmed — listed at $7.875 million.

The Columbia estate is the more interesting of the two, because the listing tells a story about how he lives. One hundred and twenty acres is not a suburban lot; it is land for hunting, for horses, for privacy — the same rural life the songs describe. The family base, though, is Nashville, where the children go to school and where the restaurants and the label are. The Florida home fits the other half of the pattern: a warm-weather retreat for a man who spends his summers on tour buses and his winters in Tennessee.

Neither property is confirmed sold at its reported figure, so neither is treated here as cash in the bank. What the two holdings show is the shape of the fortune: diversified beyond music, weighted toward land and houses, and built around the two states — Georgia-born, Tennessee-based, Florida-leaning — that define his life.

Endorsements, Streaming and YouTube: The Smaller Cheques

Beyond the catalog, the tour and the restaurants, Aldean’s money comes in smaller streams that add up. He is a co-owner of Buck Commander, the hunting company he runs with fellow country star Luke Bryan — a business built on the hunting culture both men grew up with, and one that sells gear and media to the same audience that buys their concert tickets. The company’s revenue is private, so no figure is attached to it here, but the co-ownership is documented and it is part of the business portfolio.

Streaming pays him twice over. The 10 percent of the catalog he kept still earns royalties on the old recordings, and the post-sale albums — Highway Desperado and Songs About Us — pay him in full. Streaming rates are low per play, but Aldean’s catalog is deep and durable: “Dirt Road Anthem” alone has been streamed hundreds of millions of times, and the long tail of 31 No. 1 singles keeps the monthly numbers steady even in years without a new album.

YouTube is the most measurable of the small streams. His channel has more than 2.8 million subscribers, and NetWorthSpot estimates its ad revenue at roughly $1.5 million a year. That figure is an estimate, not a reported number — YouTube does not publish creator payouts, and the estimate assumes standard ad rates — so it is labeled as such. Even at half that figure, it is real money, and it arrives without touring, without a label advance, and without a restaurant lease.

Brand partnerships round out the picture. The Patriot Mobile deal around Songs About Us is the most recent, and the most visible — a carrier partnership attached to an album launch, with the brand’s marketing behind the record. Aldean has never chased the big television salary that powers Luke Bryan’s $160 million or Blake Shelton’s $130 million — no American Idol chair, no twenty-season run on The Voice. His endorsement money is smaller and quieter, and it is built on the same audience his music serves.

Family: Brittany Aldean and Four Children

Jason Aldean married Brittany Kerr — now Brittany Aldean — on March 21, 2015. She is a former American Idol contestant and a former Charlotte Bobcats cheerleader who has since built a large social media following of her own, and she is a constant presence at his side: at the restaurant openings, on the road, and in the family photos the couple shares publicly. They have two children together: a son, Memphis, born December 1, 2017, and a daughter, Navy Rome, born in February 2019.

Aldean has two older daughters from his first marriage, to Jessica Ussery, whom he married in 2001 and divorced in 2013. Keeley was born in 2003 and Kendyl in 2007. Keeley, now in her early twenties, plays lead guitar — her father has described her as a strong player — and the younger children, Memphis and Navy, are growing up in the same musical household. The family of six is based in Nashville, and the children travel with him when the tour schedule allows.

The family is also part of the business. Brittany appears at every restaurant opening. The children were on stage at the Gatlinburg ribbon-cutting in 2023. The 120-acre Columbia estate is, among other things, land for the children to grow up on. Aldean has kept the details of his children’s lives mostly private — no interviews with the kids, no family reality show — and this article follows that line: the names, the birth years and the public appearances are the record, and the rest is theirs.

Early Life: From Macon, Georgia to Nashville

Jason Aldean was born Jason Aldine Williams on February 28, 1977, in Macon, Georgia. He grew up in the city — a middle-Georgia town with a deep music history, home of the Allman Brothers Band and Otis Redding — and learned guitar as a boy, playing the country and Southern rock that filled the house. The move that mattered came in 1998, when he was 21: he left Macon for Nashville, the way every aspiring country singer of his generation did, with a record deal already in hand.

The deal fell through. The label dropped him before an album came out, and the next seven years were the grind every Nashville biography contains: writing songs, playing showcases, working day jobs, and waiting for a second chance. It arrived in 2005, when Broken Bow Records — the independent label that would become BBR Music Group — signed him and released his self-titled debut album that July. The first single, “Hicktown,” reached the Top 10. The second, “Why,” became his first No. 1 in early 2006.

He was 28 when the debut album came out — older than most new country stars, and old enough to have spent seven years learning what the business wanted. That late start is part of why the catalog is so valuable: he arrived fully formed, with a sound already settled, and he never had a long stretch of flop records to dilute it. From “Why” in 2006 to his 31st No. 1 in early 2026, the radio run has lasted twenty years without a real break.

Awards: ACM Artist of the Decade and Three Entertainer Wins

The award that best captures Aldean’s standing came in 2019, when the Academy of Country Music named him Artist of the Decade. The honour is given once every ten years, and it measures sustained dominance rather than a single big year — which is exactly Aldean’s career. He had spent the 2010s as country radio’s most reliable hitmaker, and the ACM’s decade award was the industry saying so on the record.

He is a three-time ACM Entertainer of the Year, the academy’s top prize, and My Kinda Party won CMA Album of the Year in 2011 — the industry’s other major body, the Country Music Association, honouring the record that made him a star. He has been nominated for Grammy Awards without winning one, a gap his fans note and his critics cite, but the ACM and CMA honours are the ones that track commercial dominance, and on that measure his shelf is full.

The awards matter to the money story in one concrete way: they are the reason the catalog was worth $100 million. A buyer pays for a proven, decorated songbook, not for a flash in the pan. Artist of the Decade is a line in a sales document as much as it is a line on a trophy shelf.

How Aldean Compares: Country’s Richest Men in 2026

Aldean’s $100 million sits in the middle of country music’s top tier. The table below compares him with the three peers readers ask about most, using the same sources this article relies on — CelebrityNetWorth and Parade for the anchors, with ranges where the sources disagree.

The pattern is plain. The three men above Aldean all have something he does not: a television salary, a liquor brand at scale, or a stadium-tour machine that has run for thirty years. Chesney has toured stadiums since the 2000s and owns a rum brand. Bryan earns a reported $12 million a year from American Idol on top of his touring. Shelton spent more than a decade on The Voice and built the Ole Red bar chain. Aldean’s money is purer: a catalog sale, touring, and restaurants. He is the only one of the five whose fortune rests mainly on a single deal — which is why the catalog sale gets a whole section of this article, and why the $250 million BMG confusion needed correcting.

Eric Church, at roughly $40 million per CelebrityNetWorth, shows the other end of the same scale. Church is a critical favourite with a fiercely loyal audience, but he has never had Aldean’s radio dominance — 31 No. 1s to Church’s handful — and his wealth reflects that gap. The spread between Church at $40 million and Chesney at $180 million is, in the end, a measure of hit singles and touring scale, and Aldean sits almost exactly in the middle of it.

Frequently Asked Questions

Sources & Reporting

This article was reported from live sources in November 2026. The net-worth anchor comes from CelebrityNetWorth (updated September 22, 2025) and Parade’s 2026 profile (updated September 14, 2026); the $80 million floor comes from NetWorthSpot (updated October 1, 2026) and Explosion (updated April 2026); TheRichest gives $110 million and themost10’s $160 million outlier was rejected for lack of sourcing. The catalog sale and its terms come from CelebrityNetWorth’s reporting and industry coverage of the Spirit Music Group deal; the September 2025 BMG acquisition and its ~$250 million bundle price come from 2025–2026 trade reporting. Touring figures come from Parade’s 2026 profile ($1 million per show) and published tour-gross estimates for the Highway Desperado run (~$39.5 million, 628,966+ tickets), labeled as estimates. Restaurant details — locations, opening dates, sizes and job counts — come from Music Mayhem Magazine’s grand-opening coverage (Gatlinburg, August 2023; Las Vegas, December 2024), Whiskey Riff (August 2023) and Hook & Barrel’s 2026 profile. Family details come from Wikipedia’s Jason Aldean entry and dailywikibio’s profile (marriage dates, children’s birth years); the 31st No. 1, the Songs About Us album (April 24, 2026) and the Full Throttle World Tour come from 2026 reporting. Peer figures: Luke Bryan $160 million (CelebrityNetWorth; Parade 2026), Blake Shelton $130 million (Guide Net Worth’s own November 1, 2026 profile; Parade January 2026), Kenny Chesney ~$180 million (NewTraderU, February 2026), Eric Church ~$40 million (CelebrityNetWorth). Salary, tour-gross and property figures are reported estimates, not confirmed financial statements; where a figure is reported rather than confirmed, the article says so. Figures are updated when new reporting emerges — contact us via the About page if you spot an error.