Timothée Chalamet Net Worth 2026: The $25M–$40M Rise

Last updated: November 15, 2026  ·  By Nathan Cole

Timothée Chalamet’s net worth in 2026 is estimated at $25 million to $40 million. Celebrity Net Worth puts the anchor figure at $25 million, a number it still carried in its November 5, 2026 snapshot, and Parade repeated it in its August 7, 2026 update. The top of the range comes from Grizzly Bulls, whose base-case model lands at $40 million. He has never disclosed his finances, so every published figure is an estimate — but the direction of travel is not in doubt. In the space of three years he went from a $2.2 million Dune salary to a $9 million Wonka payday, a reported $35 million Chanel deal, and a career-high $25 million salary for his next film.

He is 30 years old in November 2026, born December 27, 1995, in New York City, and he turns 31 on December 27. He already has three Best Actor Oscar nominations, a Golden Globe win for Marty Supreme, and a SAG Award for playing Bob Dylan. His films as a leading actor have grossed more than $2.3 billion worldwide, per Wikipedia’s running tally. Dune: Part Three arrives December 18, 2026, on the same day as Avengers: Doomsday, in a box-office collision the two stars have already nicknamed “Dunesday.” The $25–40 million estimate is a snapshot taken weeks before that film opens — and it will look dated fast if the third Dune film performs like the second one did.

This article gives you the number first, then the evidence behind it: the per-source adjudication table, the film-by-film salary record, the Chanel deal explained properly (it is a deal value, not a bank balance), the $180–220 million ceiling claims taken apart, and the 2026 story so far — Marty Supreme, the March 2026 Oscars, and the road to Arrakis in December.

Timothée Chalamet Net Worth 2026: M–M

The honest answer is a range, and any page that gives you a single clean number is hiding the argument. Celebrity Net Worth, the tracker almost every other outlet cites, holds Chalamet at $25 million. Parade repeated that figure in its August 7, 2026 update, and Tucbuzz, ReadsMe, NetflixJunkie, and TheCelebWiki all land on the same $25 million in their 2026 profiles. That is the anchor, and it is a conservative one: it reflects publicly reported film salaries and confirmed endorsement income through roughly 2024, and it moves slowly.

The case for the top of the range starts with what has happened since. Grizzly Bulls, which models celebrity wealth from reported earnings rather than copying a tracker, puts its base case at $40 million, with a bear case of $25 million and a bull case of $65 million, at a stated confidence of 3 out of 5. Celebworth lands near $30 million. CelebLimelight, writing in March 2026, puts the figure at $25–30 million and argues $30–40 million is the more honest read. FamousPeopleToday, in February 2026, went with $30 million outright. The pattern is consistent: nobody credible goes below $25 million, and the outlets that do their own math cluster between $30 million and $40 million.

What holds the range at $40 million, rather than higher, is the difference between a salary and a fortune. A $25 million salary for High Side is a headline, not a deposit. It will be paid across production, taxed at California rates, and split with representatives. The $35 million Chanel deal is a multi-year contract value, not a single cheque. And the Dune backend — the profit participation that could be the largest single item in his wealth — has never been disclosed. Until a number like that surfaces, $40 million is where the evidence stops and the guessing starts.

One more distinction matters before the rest of the article makes sense. A net worth is what you keep, not what you earn. Chalamet’s reported career earnings — film salaries plus the Chanel deal value — already run past $100 million on paper. Taxes, fees, living costs, and the Beverly Hills house sit on the other side of that ledger. The gap between $100 million earned and $25–40 million kept is normal for a working actor. It is also why the trackers that simply add up salaries always overshoot, and why this article does not.

Why One Actor Gets Five Different Net Worths

Search “Timothée Chalamet net worth” and the first page gives you $25 million, $30 million, $40 million, and $220 million, sometimes on the same site. The spread is not a mistake. It is four different methods answering four different questions, and the article that wins the reader is the one that says so plainly.

The $25 million figure is a snapshot method. Celebrity Net Worth builds its number from publicly reported salaries and confirmed deals, then updates it slowly. It is the most defensible number and the most out of date: it barely reflects the High Side salary, which was only reported in December 2025, or the Marty Supreme awards run that followed. The $30–40 million figures are earnings models. Grizzly Bulls and CelebLimelight start from the same salaries, then add estimates for backend participation, residuals, and brand income that has not been publicly itemised. They are more current and less certain — Grizzly Bulls says so itself, rating its own confidence 3 out of 5.

Then there is the $180–220 million ceiling, pushed hardest by InvestorMint. That number is built by stacking assumptions: backend multipliers on the Dune franchise’s $1.3 billion-plus gross, brand-equity valuations for the Chanel and Cartier relationships, and a premium for his cultural standing. Each assumption is plausible on its own. Stacked together, they produce a figure no other outlet supports and no reporting confirms. This article treats it as what InvestorMint itself calls it — a ceiling projection, not confirmed wealth — and does not adopt it.

The final reason for the spread is the Chanel deal, which most pages handle badly. The reported $35 million is a contract value spread over years, and several outlets note it exceeded all of his film earnings combined at the time of signing. Pages that add $35 million to a $25 million net worth are double-counting: the trackers already include endorsement income in their estimates. The deal matters enormously to his wealth. It does not add $35 million to it in one stroke.

Every Major Payday, Film by Film

Chalamet’s salary curve is one of the steepest in modern Hollywood, and it is unusually well documented for an actor who never discusses money. The table below uses only reported figures, and it labels the ones that are estimates rather than disclosures. The pattern it shows is the whole story of his fortune: indie pay for five years, a franchise salary that tripled in one film, a musical payday that doubled it again, and then a jump to the $25 million tier that puts him beside actors twice his age.

The Dune: Part Two row deserves a warning. Several low-quality pages print an $8 million-plus salary for the sequel as fact. Parade, the most careful of the mainstream outlets on this beat, states plainly that his pay for both Dune films “has not been disclosed.” The $3 million figure circulates in industry reporting and is the best available estimate, but it is an estimate. The undisclosed part matters more than the upfront figure anyway: a lead actor on a $714 million-grossing sequel almost certainly holds backend points, and those points, paid over years, could eventually exceed the upfront salary several times over. Nobody outside the deal knows the percentage, so this article does not invent one.

The other row that needs care is the Forbes $20 million figure from 2026. Forbes reported a paycheck of roughly that size attached to a future project. It is a market-rate signal — proof that studios now price him at $20 million-plus per film — not money in his account. Treat it as evidence of where his price is heading, and the High Side $25 million as the proof that the market already paid it.

New York, LaGuardia and the Indie Years

Timothée Hal Chalamet was born December 27, 1995, in New York City, and grew up in Manhattan in a household that mixed the arts and the United Nations. His mother, Nicole Flender, was a Broadway dancer who later became a real estate agent. His father, Marc Chalamet, is a French editor who worked for UNICEF. His older sister, Pauline Chalamet, is an actress and dancer who lives in France. The family background explains two things that show up again and again in his career: the French fluency that lets him work comfortably in European cinema, and a comfort with high culture that most child actors have to learn from scratch.

He attended LaGuardia High School of Music & Art and Performing Arts, the school the film Fame was based on, and his early screen work was the standard New York child-actor path: a 2009 appearance on Law & Order, a recurring role on Homeland in 2012, and a small part in Christopher Nolan’s Interstellar in 2014. None of it paid much. All of it put him in rooms with directors who remembered him. Nolan cast him again years later in spirit, if not in person — the Interstellar credit still sits on his résumé as the first sign that the biggest directors in the business were watching a teenager.

The indie years that followed were deliberately uncommercial. He took roles in films most audiences never saw, worked with directors who paid in prestige rather than money, and built the kind of critical reputation that cannot be bought. The pay for Call Me by Your Name, reported at $200,000–$500,000, tells the story: at 21, he chose a small Italian summer romance over the franchise auditions that would have paid ten times as much. That choice is the reason the franchise money arrived later, on his terms, at a much higher price.

Call Me by Your Name: The Role That Changed the Math

Luca Guadagnino’s Call Me by Your Name, released in 2017, made Chalamet the youngest Best Actor Oscar nominee in nearly 80 years. He was 22 at the ceremony in March 2018. The film itself grossed a modest $43 million worldwide on a $3.5 million budget — small money by blockbuster standards, enormous money relative to its cost. The real return was not the box office. It was the nomination, which moved him overnight from promising young actor to awards-season fixture, and the phone calls that followed from every major studio in Hollywood.

The two years after the nomination show how carefully he spent that capital. Lady Bird (2017) put him in Greta Gerwig’s ensemble. Beautiful Boy (2018) cast him as a drug-addicted teenager opposite Steve Carell and earned him BAFTA and Golden Globe nominations. Little Women (2019), again with Gerwig, grossed $218 million worldwide and proved he could hold his own in a large commercial cast. None of these films paid franchise money — the reported figures sit around $1 million each — but each one added a different audience, a different director relationship, and a different reason for a studio to trust him with a $165 million budget.

The financial logic of that period is worth stating plainly, because it is the opposite of how most young stars behave. He turned down the fast money, took the prestige roles, and let the prestige become the leverage. When Denis Villeneuve cast him as Paul Atreides in Dune, the $2.2 million salary looked low for a franchise lead. It was the price of entry. The sequel, the Wonka payday, and the $25 million High Side salary are all downstream of the reputation he built between 2017 and 2019, when he could least afford to be picky.

Dune: The Franchise That Made Him a Bankable Lead

Dune (2021) grossed between $402 million and $434 million worldwide, depending on the reporting window, on a $165 million budget, in the middle of a pandemic-era day-and-date streaming release. That was enough for Warner Bros. to greenlight the sequel, and the sequel is where the franchise became a fortune. Dune: Part Two (2024) grossed $714 million worldwide and earned ten Oscar nominations. Together the two films have grossed more than $1.3 billion, per InvestorMint’s tally, and Chalamet is the face on the poster for both of them.

The franchise also gave him the co-stars who now define his generation on screen. Zendaya’s net worth sits in the same $30–40 million band, and her role as Chani grew from a supporting part in the first film to a co-lead in the second. Austin Butler’s biography runs on a parallel track: the Elvis breakout, the Dune: Part Two villain turn as Feyd-Rautha, and a salary curve climbing at almost the same speed. The two of them, with Chalamet, are the three young actors studios now build franchises around — and their paydays keep pace with each other, film by film.

What Dune did for his price is measurable. Before the first film, he was a $2.2 million actor. After the second film’s $714 million gross, he was a $9 million actor on Wonka and a $25 million actor on High Side. The franchise did not just pay him. It gave every studio in town the box-office evidence they needed to pay him more. That is the real economics of a franchise lead: the salary is the smallest part of the return.

Wonka: Million and a 4 Million Box Office

Wonka (2023) was the gamble of his career, and the one that paid the most visibly. Paul King’s musical prequel cast a 27-year-old dramatic actor as a young Willy Wonka, required him to sing and dance through a family musical, and paid him a reported $9 million, per Variety — the largest single-film salary of his career to that point. The film grossed $634.4 million worldwide, per Box Office Mojo, on a $125 million budget. It became his first blockbuster as a solo lead, and the first post-COVID musical to top the box office.

The Wonka money rippled further than the salary. The role came with a Cartier collaboration on a costume necklace and a Nike Dunk Low collaboration, both inspired by the character — the kind of brand-adjacent income that never appears on a salary table. Director Paul King has confirmed a Wonka sequel, expected in 2027, which gives Chalamet a second family franchise alongside Dune. A sequel payday, negotiated from the position of a $634 million original, would start well above $9 million.

Wonka also settled a question that had followed him since Call Me by Your Name: whether an art-house actor could open a mainstream film. The answer, in dollars, is $634.4 million. Studios do not forget a number like that, and neither do the agents who set the next salary.

A Complete Unknown and the Second Oscar Nomination

A Complete Unknown (2024), James Mangold’s Bob Dylan biopic, asked Chalamet to do something no actor had done convincingly on screen: become the young Dylan, singing the songs himself, from the 1961 arrival in New York to the electric set at the 1965 Newport Folk Festival. He also produced the film, which meant a producer’s share of the backend on top of his acting fee. The film grossed $140.5 million worldwide, was named one of the top ten films of 2024 by the American Film Institute, and earned eight Oscar nominations — including Best Picture and Best Actor for Chalamet. It won none of them.

The nomination itself was the achievement. At 29, Chalamet became the youngest actor to earn two Best Actor nominations, a record that stood on its own even in defeat. He won the SAG Award for Outstanding Performance by a Male Actor in a Leading Role, beating the field that would decide the Oscar. Then, on March 2, 2025, at the 97th Academy Awards, Adrien Brody won for The Brutalist. The loss stung, and it also set up the next year: Chalamet went into 2026 as a two-time nominee with something to prove, and Marty Supreme gave him the vehicle.

The Dylan role also paid in a quieter currency. Playing a musician who remade himself in public gave Chalamet a template for his own career, and the SAG win gave him a voting bloc — actors vote for actors — that matters every awards season. The $140.5 million gross, modest beside Dune and Wonka, was never the point. The point was the second nomination, and the producer credit that comes with a share of whatever the film earns for years.

Marty Supreme and the 2026 Oscars

Marty Supreme, Josh Safdie’s table-tennis hustler drama, opened in theaters on December 25, 2025, with Chalamet as Marty Mauser, a 1950s New York hustler obsessed with turning ping pong into a major American sport, and as a producer on the film. It became the highest-grossing North American release in A24’s history, per CableTV’s reporting, and it carried him through the most visible awards season of his life. He won the Golden Globe for Best Actor in a Motion Picture — Comedy or Musical in January 2026, calling Kylie Jenner “my partner” from the stage, and he won Best Actor at the Critics’ Choice Awards on January 4, 2026. The film earned nine Oscar nominations, including Best Picture and his third Best Actor nomination, before he had turned 30.

He walked into the 98th Academy Awards on March 15, 2026, as the frontrunner. He walked out without the trophy. Michael B. Jordan won Best Actor for Sinners, playing the twin brothers Smoke and Stack in Ryan Coogler’s film, which entered the night with a record sixteen nominations and left with four wins. Radio Times, The Playlist, and Blackfilm all reported the same result the next morning: Jordan, the sixth Black actor to win the prize, beating Chalamet, Leonardo DiCaprio, Ethan Hawke, and Wagner Moura. Marty Supreme lost all nine of its nominations. One Battle After Another won Best Picture and took six Oscars in total.

The loss is worth recording precisely because so many net-worth pages get the awards record wrong — some still list him as a two-time nominee, others credit him with a win he does not have. As of November 2026, the record is three Best Actor nominations and no Oscar wins, one SAG win, one Golden Globe win, and one Critics’ Choice win. The full sweep of his 2026 awards season, from the Globes to the Dolby Theatre, is covered in our sister site’s overview of Timothée Chalamet in 2026, which tracks the same year from the career-and-movies angle.

For his market value, the loss barely registered. He had already been paid, or contracted, at the $25 million tier before the ceremony, and the frontrunner status itself — the betting markets had him as the heavy favorite, per Awards Radar — confirmed what the studios already knew. An Oscar would have added a premium. Not winning one did not subtract one.

Dune: Part Three and the December 2026 Payoff

Dune: Part Three is the biggest financial event left in Chalamet’s 2026, and it is nine weeks away as this article publishes. Principal photography ran from July 8 to November 11, 2025, across Origo Film Studios in Budapest and desert locations including the Liwa Oasis in Abu Dhabi. The film adapts Frank Herbert’s 1969 novel Dune Messiah, jumps the story twelve years forward, and closes Denis Villeneuve’s trilogy — Villeneuve has said it is his final Dune film. Warner Bros. has it set for December 18, 2026, in North America, with international openings from December 16. Chalamet, speaking at a Variety and CNN town hall in February 2026, called it “the eeriest one” and “a big swing.”

The release date carries its own story. Avengers: Doomsday opens the same day, December 18, 2026, and at a Marty Supreme screening in January 2026, Robert Downey Jr. told the audience that he and Chalamet had coined a name for the collision: “Dunesday.” Neither studio has moved. The third Dune film has one clear advantage in the fight: it was shot with IMAX cameras and has locked all IMAX screens for three consecutive weeks, per industry reporting, while Avengers: Doomsday was not. A $714 million second film, a twelve-year story jump, and a holiday release window give the third film every chance of clearing $800 million — and every dollar of that gross feeds the backend participation that no tracker can yet count.

What the film means for the net worth estimate is timing. The $25–40 million range in this article is a pre-release snapshot. If Part Three performs like Part Two, the next update of this page will need a higher range, driven by backend payments that arrive over the following two years. If it disappoints, the range holds. Either way, December 18, 2026, is the date that decides the next version of this number.

Chanel, Cartier and the Million Deal That Out-Earned His Films

The single most consequential deal of Chalamet’s career is not a film. In 2023 he became the face of Bleu de Chanel, Chanel’s men’s fragrance, taking over from the late French actor Gaspard Ulliel. The stills campaign, shot by Mario Sorrenti, was released in June 2023. The campaign film, directed by Martin Scorsese, premiered in May 2024. The reported value of the deal: $35 million. Parade reports the figure, Wikipedia repeats it, and multiple outlets note the same striking detail — at the time of signing, the deal was worth more than all of his film salaries combined.

That last detail is the one that gets misread. A $35 million multi-year contract is not $35 million in a bank account. It is paid in instalments across the life of the deal, it is taxed, and it is split with representatives, like every other payment in this article. What it is, unambiguously, is the deal that changed his financial profile from working actor to cultural asset. Luxury houses do not pay $35 million for a face. They pay it for a symbol, and Chanel’s decision to hand its flagship men’s fragrance to a 27-year-old told every other brand in the market what he was worth.

The Chanel relationship ran from 2023 to 2026, and it opened the door to the rest of the luxury portfolio. In 2023 he worked with Cartier on a costume necklace, and with Nike on a pair of Dunk Lows — both pieces inspired by his Wonka character, both the kind of collaboration that pays in fees and in resale value rather than a single salary line. The fashion income is the least transparent part of his wealth and the most likely reason the trackers’ $25 million anchor lags the real figure: brand money arrives in instalments, through entities, and on schedules that no public database captures in real time.

High Side: The Million Salary That Reset His Price

In December 2025, The Hollywood Reporter reported that Chalamet would earn a career-high $25 million for High Side, a motocross-heist film directed by James Mangold for Paramount. The figure made him, per InvestorMint’s reading of the same report, the youngest actor since Jennifer Lawrence to command $25 million for a single picture. It is the most important number in this article after the net worth itself, because it is the first time a studio has paid him at the top tier — and the first time the market has priced him beside the established stars rather than the rising ones.

The Mangold connection matters. A Complete Unknown was also Mangold’s film, and the director-actor relationship that produced a SAG win and an Oscar nomination is now producing a commercial payday. High Side is also a franchise-style bet: a heist film built around a star who can open one, with a salary that assumes the opening. If it performs, his next negotiation starts at $25 million and goes up. If it does not, the salary still stands as the high-water mark of what the market was willing to pay him in 2025.

Forbes added a second data point in 2026, reporting a paycheck of roughly $20 million attached to a future project. That figure is market-rate context, not realized income, but it corroborates the High Side number from the other direction: two separate reports, in two separate years, pricing the same actor at $20–25 million a film. The $2.2 million Dune salary is four years old. The $25 million tier is the current price.

Real Estate: The Million Beverly Hills House

In October 2022, Chalamet bought a 5,521-square-foot Beverly Hills home for $10.9 million from pitcher Justin Verlander and model Kate Upton, who had listed it at $11.7 million. Page Six confirmed the purchase in its January 14, 2026 reporting, noting that he has not put the property on the market. His mother, Nicole Flender, who works in New York real estate, told Curbed in April 2025 that he never asked her advice before buying it: “Did he ask for my advice? No. He said, ‘Guess what? I bought a house.'”

The house is his largest known asset and the clearest evidence of how he spends. He also keeps a New York apartment, in a building off West 42nd Street that has housed Alicia Keys and Patrick Dempsey, per FamousPeopleToday. The Beverly Hills purchase, made at 26, is the move of an actor who had just been paid for Dune and Wonka and decided to park the money in property rather than lifestyle. It is also, in net-worth terms, an asset that counts at its market value, not its purchase price — and Beverly Hills prices since 2022 have not gone down.

There is no reported car collection, no private jet, no yacht. The public record of his spending is the house, the fashion, and the travel. That restraint is part of why the $25–40 million range is credible: the money has somewhere to go, and the house is where a large part of it went.

Kylie Jenner and Life Off Camera

Chalamet has been in a relationship with Kylie Jenner since April 2023. They were first spotted together in January 2023 at a Jean Paul Gaultier show during Paris Couture Week, and they have been photographed together at the Golden Globes, the Vanity Fair Oscar Party, and the 2026 awards season ever since. Page Six reported in January 2026 that the couple have been living together in Los Angeles for over a year, quoting a source who said they have not married but “it’s like they’re basically married already.” As of October 2026, reporting based on People confirms they are still together, not rushing into an engagement, and spending time with each other’s families — including a September 2026 trip to Saint-Tropez for producer Ryan Friedkin’s wedding, and a May 2026 double date in Los Angeles with Kendall Jenner and Jacob Elordi.

The relationship matters to the money story in one specific way: scale. Kylie Jenner’s net worth sits in the $670–700 million band, per our sister site’s profile, and the gap between the two fortunes is the subject of half the coverage the couple receives. Parade’s answer to “Is Timothée Chalamet a billionaire?” is a flat no — and then points out that his girlfriend once claimed to be a self-made billionaire. The comparison is fun for headlines and useless for analysis: her fortune comes from a cosmetics company, his from film salaries and fashion deals, and the two businesses have nothing in common except the size of the audience watching them.

Before Jenner, his publicly documented relationships included Lily-Rose Depp and Eiza González, and a school relationship with Madonna’s daughter Lourdes Leon at LaGuardia. He keeps the private side of his life as quiet as a person in his position can: no reality show, no social-media oversharing, no comment on the relationship beyond the “my partner” line at the Golden Globes. His mother told Curbed that Jenner is “lovely” and “very nice to me” — which, from a New York real estate agent who watched her son buy an $11 million house without asking, counts as a warm review.

Peer Comparison: Chalamet Against His Generation

Net worth only means something in context, so here is Chalamet against the actors he is actually measured against — his Dune co-stars, his awards-season rivals, and the generation that came up with him. The figures are the estimates published by Guide Net Worth’s own profiles, linked below, so the comparison is apples to apples rather than tracker to tracker.

The table makes two things clear. First, Chalamet sits at the top of his own age group: ahead of Paul Mescal’s biography, which traces a $5 million fortune built on Normal People and Gladiator II, and ahead of Austin Butler’s $12 million, despite Butler being five years older. Second, the gap to the tier above is still enormous. Tom Holland’s net worth sits near $100 million on the back of a Marvel franchise that paid him across a decade, and Denzel Washington’s biography records a $300 million career built over forty years at $40 million a film. Chalamet is 30. The $25 million High Side salary is his first step into Holland’s tier, and Dune: Part Three is the film that decides how fast he climbs it. Readers who want the full series can browse the Celebrity Net Worth archive for every profile in this run.

Sources & Reporting

Celebrity Net Worth (snapshot November 5, 2026: $25 million); Parade, updated August 7, 2026 ($25 million per Celebrity Net Worth; Wonka $9 million per Variety; Chanel $35 million; High Side $25 million per The Hollywood Reporter, December 2025; Golden Globes “my partner” line); InvestorMint, mid-2026 ($25–30 million baseline; $180–220 million speculative ceiling; High Side youngest since Jennifer Lawrence; Dune franchise $1.3 billion-plus); Grizzly Bulls, reviewed through October 16, 2026 (bear $25 million / base $40 million / bull $65 million, confidence 3/5); Celebworth, 2026 (~$30 million; Dune $2.2 million; Wonka $9 million; High Side $25 million); CelebLimelight, March 10, 2026 ($25–30 million; argues $30–40 million; $11 million Beverly Hills home); Tucbuzz, October 29, 2026 (~$25 million; born December 27, 1995); ReadsMe, 2026 ($25 million; still together with Kylie Jenner as of October 2026; People, August 2026, not rushing engagement); Radio Times, March 16, 2026 (98th Oscars: Michael B. Jordan Best Actor for Sinners; One Battle After Another Best Picture); The Playlist, March 16, 2026 (Jordan win; Chalamet the long-assumed frontrunner; SAG win two weeks prior); Blackfilm, March 16, 2026 (98th Oscars recap; Sinners 4 wins; One Battle After Another 6 wins); Awards Radar, March 16, 2026 (Jordan the sixth Black Best Actor winner; Marty Supreme 0-for-9); FanBolt, February 24, 2026 (Dune: Part Three filming July 8–November 11, 2025; December 18, 2026 release; “eeriest one”); MovieWeb, January 15, 2026 (“Dunesday” naming, per Deadline); CableTV.com (Marty Supreme highest-grossing A24 North American release; Dune: Part Three post-production, December 18, 2026); Koimoi, November 2024 (Wonka $634.4 million worldwide, Box Office Mojo; Wonka 2 expected 2027); Page Six, January 14, 2026 (living together in LA over a year; not married; $11 million Beverly Hills house bought October 2022 from Justin Verlander and Kate Upton); FamousPeopleToday, February 25, 2026 ($10.9 million house, 5,521 sq ft, listed $11.7 million; New York apartment off West 42nd Street); Wikipedia (films as leading actor grossed $2.3 billion-plus; Bleu de Chanel 2023–2026; Scorsese campaign film May 2024; Cartier and Nike collaborations; A Complete Unknown $140.5 million worldwide, 8 Oscar nominations, SAG win, Adrien Brody’s win for The Brutalist). Figures are estimates built from reported earnings and public estimates, not audited financial statements. Where outlets disagreed — on the net worth ($25 million vs $30–40 million vs the $180–220 million ceiling) and on the Dune: Part Two salary (reported ~$3 million vs undisclosed per Parade) — this article publishes the range and names the source of each figure. If new reporting emerges, this article will be updated and the change noted here.

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